Green Journals

Review Essay: Greta Gerwig’s Barbie: Popular Culture, Cinema, and Gender

Murat Akser, Dikmen Yakali

2026-10-16 Vol. 14 Issue 2 Pages 890-896

DOI: 10.5195/cinej.2026.1270

At the Crossroads of Feudal Tradition and Capitalist Economy: Social Transformation in Ömer Lütfi Akad’s The Bride (1973)

Betül Sarı Aksakal

2026-10-15 Vol. 14 Issue 2 Pages 27-83

DOI: 10.5195/cinej.2026.741

The Postcolonial and Matrixial Gaze in Ritwik Ghatak’s Partition Trilogy

Godwin Emmanuel, Richard Rego

2026-10-15 Vol. 14 Issue 2 Pages 779-798

DOI: 10.5195/cinej.2026.1073

Review of Ritwik Ghatak’s Cinema and I

Srijani Dutta

2026-10-15 Vol. 14 Issue 2 Pages 875-880

DOI: 10.5195/cinej.2026.1039

Review of Memory and the Gothic Aesthetic in Film

Ali Najaf Dokht

2026-10-15 Vol. 14 Issue 2 Pages 881-889

DOI: 10.5195/cinej.2026.1088

Values of Villainy: A Typology of Antagonists in Superhero Films Through Schwartz’s Theory of Basic Human Values

Bruno Aragão

2026-10-15 Vol. 14 Issue 2 Pages 159-207

DOI: 10.5195/cinej.2026.839

The Impact of Digital Culture on the Cinematic Experience: Vertical Cinema and New-Generation Audiences

Cansu Öksüz Karademir, Alper Önen

2026-10-15 Vol. 14 Issue 2 Pages 289-334

DOI: 10.5195/cinej.2026.823

Jean Purdy, IVF (in vitro fertilization) and Narrative: An Autoethnographic Look at Ben Taylor’s Joy

Serap Duman İnce

2026-10-15 Vol. 14 Issue 2 Pages 123-158

DOI: 10.5195/cinej.2026.808

Between Marxist Melodrama and Left Melodrama: Gendered Labor and Suspended Political Possibility in Meghe Dhaka Tara (1960)

Eşref Akmeşe, Alper Erçetingöz

2026-10-15 Vol. 14 Issue 2 Pages 799-827

DOI: 10.5195/cinej.2026.1007

Counter-Memory and Gendered Trauma in Ritwik Ghatak’s Meghe Dhaka Tara: Melodrama, Sound, and Partition

Ramazan Arslan

2026-10-15 Vol. 14 Issue 2 Pages 704-729

DOI: 10.5195/cinej.2026.992

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