Green Journals

Mémoires divisées post-yougoslaves et configurations agonistiques dans les romans de Saša Stanišić : Le soldat et le gramophone et Origines

Alina Iorga

2026-10-19

DOI: 10.1007/s11059-026-00876-2

Literary variation in contempporary literary field: queer digital fandom’s rewritings of Disney’s Mulan (1998)

Chenglong Zhou

2026-10-15

DOI: 10.1007/s11059-026-00896-y

A genre beyond theory: the fantastic in history

Ezio Puglia

2026-10-15

DOI: 10.1007/s11059-026-00892-2

Trauma between realism and modernism in Eižens Vēveris’ poems about Mauthausen

Artis Ostups

2026-9-30

DOI: 10.1007/s11059-026-00895-z

Autofictional narrative, autoplastic narrative: or, cinematic explosions of selftaste in Cheryl Dunye’s The Watermelon Woman

Josh Toth

2026-9-28

DOI: 10.1007/s11059-026-00880-6

Far beyond the obvious: complexity and narrative perspectives in Hayao Miyazaki’s anime films

Orsolya Rákai

2026-9-24

DOI: 10.1007/s11059-026-00890-4

Bodies, technologies, and the erasure of nature: posthuman environmentalism in Jennifer Egan’s “Black Box”

Baoyu Nie

2026-9-24

DOI: 10.1007/s11059-026-00894-0

The Palimpsestuous intercultural afterlife of The Orphan of Zhao: ideological rewriting and the reactivation of theatrical musicality

Yuan Li, Tim Beaumont

2026-9-23

DOI: 10.1007/s11059-026-00891-3

Return as self-healing: a Taoist reading of Dany Laferrière’s L’Énigme du retour

Meiyi Duan, Siqi Lu

2026-9-23

DOI: 10.1007/s11059-026-00889-x

Les Parisiens peints par un Chinois: une biofiction de la vie moderne à l’heure de l’Exposition universelle de 1889

Yue Qi

2026-9-17

DOI: 10.1007/s11059-026-00866-4

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