Green Journals

THE NOVELISTIC FUGUE: A TRANSMEDIAL EXPERIENCE

BAKO Alina

2025-11-15 Vol. 16 Issue 1 Pages 261-286

DOI: 10.29302/inimag.2025.16.1.11.

FROM PAGE TO SCREEN: MALE GAZE, FEMALE OPPRESSION, AND DOCILE BODIES IN “THE HANDMAID’S TALE”

MITRULESCU Corina Mariana

2025-11-15 Vol. 16 Issue 2 Pages 48-65

DOI: 10.29302/inimag.2025.16.2.2.

THE PRIVILEGED GAZE OF THE “FILTER CHARACTER” BETWEEN CONTEMPLATION AND PROHIBITION, IN THE MOVIE “THE NUTCRACKER AND THE FOUR REALMS”

CHICIUDEAN Gabriela

2025-11-15 Vol. 16 Issue 1 Pages 164-180

DOI: 10.29302/inimag.2025.16.1.7.

FLORIAN ZELLER’S THEATRE. AN AESTHETICS OF LOSS AND CONFUSION

Nanu Paul

2025-11-15 Vol. 16 Issue 2 Pages 326-336

DOI: 10.29302/inimag.2025.16.2.16.

A BROAD DISCOURSE ON PLASTICITY AND ITS ENCOUNTER WITH THE THEATER OF SAMUEL BECKETT

Chira Rodica Gabriela

2025-11-15 Vol. 16 Issue 2 Pages 339-354

DOI: 10.29302/inimag.2025.16.2.17.

THE JOKER. THE PROFILE AND PHILOSOPHY OF A CHARACTER THROUGH LITERATURE, COMICS, AND FILM

IMBRI Bogdan-Alin, CRIȘAN Marius-Mircea

2025-11-15 Vol. 16 Issue 1 Pages 181-206

DOI: 10.29302/inimag.2025.16.1.8.

THE SYMBOLIC POLYSEMY OF THE CHRONOTOPE IN DRAMATIC ADAPTATIONS OF THE MYTH OF MASTER MANOLE

NICOARĂ Raluca-Denisa

2025-11-15 Vol. 16 Issue 2 Pages 178-189

DOI: 10.29302/inimag.2025.16.2.8.

THE MYTHICAL IMAGINATION OF IMMORTALITY IN LITERARY AND CINEMATOGRAPHIC METAMORPHOSES: “YOUTH WITHOUT YOUTH” BY MIRCEA ELIADE

BUȘE Ionel

2025-11-15 Vol. 16 Issue 1 Pages 108-130

DOI: 10.29302/inimag.2025.16.1.4.

THE CINEMATOGRAPHIC INNARDS OF JOSEPH HELLER´S “CATCH-22”

NICOLAU Felix

2025-11-15 Vol. 16 Issue 1 Pages 133-144

DOI: 10.29302/inimag.2025.16.1.5

TRANSLATION – A BRIDGE BETWEEN CULTURES IN TRANSITION

PAȘCALĂU Raul

2025-11-15 Vol. 16 Issue 2 Pages 209-223

DOI: 10.29302/inimag.2025.16.2.10.

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