Green Journals

Recursive tracks: Stefan Grabiński and the horror of operative infrastructure

Ethan Stoneman

2026-4-1 Vol. 17 Issue 1 Pages 3-19

DOI: 10.1386/host_00106_1

Film, genre and intertextuality in Silvia Moreno-Garcia’s The Daughter of Doctor Moreau

Joshua Gooch

2026-4-1 Vol. 17 Issue 1 Pages 95-111

DOI: 10.1386/host_00107_1

Make-believe games for survival in the self-reflexive slasher horror

Junxian Cai

2026-4-1 Vol. 17 Issue 1 Pages 55-71

DOI: 10.1386/host_00110_1

Dread lessons: Cosmic horror and/as weird intertextual pedagogy

Brian Zager

2026-4-1 Vol. 17 Issue 1 Pages 37-53

DOI: 10.1386/host_00105_1

‘You ain’t no witch, witches are girls!’: Satanic panic, homophobia and the ‘warlock film’

Payton McCarty-Simas

2026-4-1 Vol. 17 Issue 1 Pages 21-36

DOI: 10.1386/host_00111_1

Not quite folk: The inhospitable landscapes of North American found footage folk horror

Isaiah Frost Rivera

2026-4-1 Vol. 17 Issue 1 Pages 113-131

DOI: 10.1386/host_00108_1

‘My mom was old’: Occult gerascophobia in Hereditary (2018)

Marcus Nicholls, Jonathon Crewe, Dennis Olsen

2026-4-1 Vol. 17 Issue 1 Pages 73-94

DOI: 10.1386/host_00109_1

Capitalism Hates You: Marxism and the New Horror Film, Joshua Gooch (2025)

Lauren Gilmore

2025-10-1 Vol. 16 Issue 2 Pages 214-217

DOI: 10.1386/host_00103_5

Psycho II and the legacy sequel

Reece Goodall

2025-10-1 Vol. 16 Issue 2 Pages 123-137

DOI: 10.1386/host_00098_1

Spanish American zombie fiction: An outline (2000–22)

Tomasz Pindel

2025-10-1 Vol. 16 Issue 2 Pages 139-152

DOI: 10.1386/host_00102_1

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