Green Journals

Editorial

Addamms Mututa, Keyan G. Tomaselli

2026-9-1 Vol. 18 Issue 3 Pages 291-295

DOI: 10.1386/jac_00186_2

Language and authenticity in New Nollywood films: Takes from the Nigerian Official Selection Committee for the Academy Award for Best International Feature Film

Ibrahim Odugbemi

2026-9-1 Vol. 18 Issue 3 Pages 393-410

DOI: 10.1386/jac_00163_1

This Is My Desire: An analysis of the cinematic portrayal of trans-national migration in sub-Saharan Africa

Olohije Oyakhire

2026-9-1 Vol. 18 Issue 3 Pages 377-392

DOI: 10.1386/jac_00161_1

June Givanni: The Making of a Pan-African Cinema Archive, Onyeka Igwe (2025)

Ana Camila Esteves

2026-9-1 Vol. 18 Issue 3 Pages 427-431

DOI: 10.1386/jac_00157_5

Tunisian ecodocumentary: Time and the representation of environmental injustice

Greta Bliss

2026-9-1 Vol. 18 Issue 3 Pages 317-337

DOI: 10.1386/jac_00162_1

Kahlil Joseph and the Audiovisual Atlantic: Music, Modernity, Transmedia Art, Joe Jackson (2024)

Elastus Mambwe

2026-9-1 Vol. 18 Issue 3 Pages 432-434

DOI: 10.1386/jac_00165_5

Funmilayo Ransome-Kuti, Bolanle Austen-Peters (dir.) (2023), Nigeria: BAP Productions

Oluwatosin Elizabeth Aliu

2026-9-1 Vol. 18 Issue 3 Pages 422-425

DOI: 10.1386/jac_00160_5

Popular memory of generations of South African theatre, television and film audiences: Chris Vorster’s Franz Marx: Uit Die Perd Se Bek (2022) and Marius Weyers (2023)1

Chris Broodryk

2026-9-1 Vol. 18 Issue 3 Pages 411-418

DOI: 10.1386/jac_00171_1

‘Songs’ of Maldoror: Political cinema through poetic image

Maria do Carmo Piçarra

2026-9-1 Vol. 18 Issue 3 Pages 301-315

DOI: 10.1386/jac_00156_1

Die Kwiksilwers (The Quicksilvers), Jordy Sank (dir.) (2024), South Africa: Sanktuary Films

Aimee Viljoen

2026-9-1 Vol. 18 Issue 3 Pages 419-421

DOI: 10.1386/jac_00159_5

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