Green Journals

Due Credit: <i>The Stringer</i> and the Limits of Attribution: A Review

Thy Phu

2026-10-15 Pages 1-5

DOI: 10.1080/01973762.2026.2728211

Touring “Our USA”: Seeing US Empire in the Maps of Ruth Taylor White, 1920–1940

Emily Lyon

2026-10-13 Pages 1-24

DOI: 10.1080/01973762.2026.2702196

The Visible and the Invisible: Contested Evidence, Photography, and the Politics of Remembering Japanese Atrocities in Asia

Kelly Midori McCormick

2026-10-13 Pages 1-35

DOI: 10.1080/01973762.2026.2714658

Alternate History: Robert Capa on D-Day – A. D. Coleman in Conversation with Nadya Bair

Nadya Bair, A.D. Coleman

2026-9-25 Pages 1-16

DOI: 10.1080/01973762.2026.2705618

Digital Iconology: Classification and Association in Visual Knowledge Systems

Charles van den Heuvel

2026-9-17 Pages 1-24

DOI: 10.1080/01973762.2026.2705660

The Image of the “Trümmerfrau” in the Illustrated Press: Projecting a Construct in Postwar Germany and Austria

Marion Krammer, Margarethe Szeless, Martin Tschiggerl

2026-9-16 Pages 1-30

DOI: 10.1080/01973762.2026.2658413

Illustrating the Victorian Supernatural

Carey Gibbons

2026-9-6 Pages 1-6

DOI: 10.1080/01973762.2026.2719058

Plastics

Danielle O’Steen

2026-8-12 Pages 1-5

DOI: 10.1080/01973762.2026.2680810

Ellen Duncan (1862–1937), pioneering curator of the Dublin Municipal Gallery 1914–1922

Róisín Kennedy

2025-4-3 Vol. 40 Issue 1-2 Pages 22-28

DOI: 10.1080/01973762.2026.2686539

Returning to the Preserving Machine: Mutations and the Probabilistic Image

Tom Milnes, Peter Ainsworth, Sam Plagerson

2025-4-3 Vol. 40 Issue 1-2 Pages 29-42

DOI: 10.1080/01973762.2026.2702786

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