Green Journals

Every Minute of Every Day: The Banal as Memoir in Clarence Major’s Novel Such Was the Season

Kwakiutl L. Dreher

2026-3 Vol. 59 Issue 2 Pages 251-269

DOI: 10.5325/pacicoasphil.59.2.0251

Keith Moser. Fake News in Contemporary Science and Politics: A Requiem for the Real?

Maneesha Sarda

2026-3 Vol. 59 Issue 2 Pages 290-295

DOI: 10.5325/pacicoasphil.59.2.0290

Pushing the Limits of Reality in Clarence Major’s Fun & Games

Matthew Mullins

2026-3 Vol. 59 Issue 2 Pages 231-250

DOI: 10.5325/pacicoasphil.59.2.0231

Writing Interfaces in Emergency Exit

Daniel Punday

2026-3 Vol. 59 Issue 2 Pages 218-230

DOI: 10.5325/pacicoasphil.59.2.0218

Carina Breidenbach, Tamara Fröhler, Dominik Pensel, Katharina Simon, Florian Telsnig, and Martin Wittmann, editors. Narrating and Constructing the Beach: An Interdisciplinary Approach

Irina Strout

2026-3 Vol. 59 Issue 2 Pages 287-290

DOI: 10.5325/pacicoasphil.59.2.0287

Editors’ Note

Richard E. Hishmeh, Martin Japtok

2026-3 Vol. 59 Issue 2 Pages 183-183

DOI: 10.5325/pacicoasphil.59.2.0183

An Introduction Plus: Come by Here— Clarence and Inez Major’s Passing Narrative That Isn’t One

Martin Japtok

2026-3 Vol. 59 Issue 2 Pages 184-199

DOI: 10.5325/pacicoasphil.59.2.0184

An Interview with Clarence Major

Martin Japtok, Craig Svonkin, With Clarence Major

2026-3 Vol. 59 Issue 2 Pages 200-217

DOI: 10.5325/pacicoasphil.59.2.0200

One Flesh and the Insignificance of Interracial Intimacy

Jerry Rafiki Jenkins

2026-3 Vol. 59 Issue 2 Pages 270-286

DOI: 10.5325/pacicoasphil.59.2.0270

Promise and Precarity: Moving Through Eden in Upton Sinclair’s Oil!

Brian Eberle

2026-1 Vol. 59 Issue 1 Pages 93-106

DOI: 10.5325/pacicoasphil.59.1.0093

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Recent Articles

Every Minute of Every Day: The Banal as Memoir in Clarence Major’s Novel <i>Such Was the Season</i>

Keith Moser. <i>Fake News in Contemporary Science and Politics: A Requiem for the Real?</i>

Pushing the Limits of Reality in Clarence Major’s <i>Fun & Games</i>

Writing Interfaces in <i>Emergency Exit</i>

Carina Breidenbach, Tamara Fröhler, Dominik Pensel, Katharina Simon, Florian Telsnig, and Martin Wittmann, editors. <i>Narrating and Constructing the Beach: An Interdisciplinary Approach</i>

Editors’ Note

An Introduction Plus: <i>Come by Here—</i> Clarence and Inez Major’s Passing Narrative That Isn’t One

An Interview with Clarence Major

<i>One Flesh</i> and the Insignificance of Interracial Intimacy

Promise and Precarity: Moving Through Eden in Upton Sinclair’s <i>Oil!</i>